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Cet ouvrage présente le travail graphique de l'artiste Dirk Rudolph.

Rudolph, Dirk --- Graphisme --- Illustration --- Publicité --- Grafische vormgevers ; reclame ; 1985-2000 ; Dirk Rudolph --- Digitale kunsten ; toegepaste --- 766.07 --- Grafische vormgeving ; muziekindustrie ; promotiemateriaal --- Hoezen ; grammofoonplaten ; audio cd's --- 766:681.3 --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Gebruiksgrafiek ; digitale ; webtoepassingen ; computerprogramma's --- 766.31.07 --- Grafische industrie en ontwerp ; beeld ; reclame ; reclamebureau's, copywriters, art directors, reclameschilders ; affichekunstenaars

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At the age of thirty-one, Neville Brody has been described as 'the most influential designer of the Eighties'. His innovations in graphic design have revolutionized the look of magazines, advertisements and packaging. Whether record sleeve or supermarket packaging, the products paraded for our admiration and consumption as often as not borrow ideas that first saw the light of day on a Brody sketch-pad.

While the voracious media boom of the Eighties led others to adapt ideas from Brody's original design, few of his imitators have achieved the same resonance. Brody's work follows his belief in design to reveal, not to conceal. It embraces the dynamism directed by human forms - a challenge to today's ever-growing faith in technology. As such, his work is often experimental; part of a tradition that has its roots in the art movements of the early twentieth century, in particular Dadaism and Constructivism.

*The Graphic Language of Neville Brody* collects together much of his output over the last decade, including his ground-breaking design and typography for the international style journal, *The Face*. The accompanying text features many direct quotes and observations on design theory and practice. With over 450 illustrations, this book provides a wide-ranging introduction to a crucial period in graphic design. It gives a first-hand account that will appeal to all those interested in the techniques of visual communication in an increasingly visual age.

graphic design --- typography --- magazines [periodicals] --- record covers --- advertising art --- Brody, Neville --- Graphisme --- Lay-out --- Typografie ; Neville Brody --- Grafische vormgeving ; reclame ; vanaf 1980 ; N. Brody --- 766.07 --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- 766.071 BRODY --- Brody Neville --- Groot-Brittannië --- Text and Captions by Jon Wozencroft --- boeken --- boekomslagen --- grafische vormgeving --- platenhoezen --- tijdschriften --- twintigste eeuw --- typografie --- 1980 --- -753 --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk

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David Carson est considéré comme le graphiste le plus "fameux" au monde actuellement: il a en effet changé l'image du graphisme. Cet ouvrage présente l'important travail graphique de l'artiste, réalisé au cours de ces 5 dernières années.

Carson, David --- Affiche --- Affiche publicitaire --- Graphisme --- Illustration --- Illustration, presse --- Illustration, publicité --- Carson, David, --- typografie --- grafische vormgeving --- typography --- graphic design --- Publishers. Printers --- Ontwerpers --- Vormgevers --- 655.26 --- 745.071 --- David Carson --- designers --- grafische designers --- 753 --- 766.07 --- Grafische vormgevers ; reclame ; 1996-2003 ; David Carson --- grafische vormgeving, typografie --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Ontwerper --- Vormgever --- Carson, David, - 1956- - Catalogs --- Carson, David, - 1956 --- -Ontwerper

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Matisse et Mallarmé, la rencontre de deux grand noms en un lieu unique : le livre illustré. Après deux ans de travail du peintre sur ce qui est son premier livre illustré, Albert Skira publie en 1932 Poésies de Stéphane Mallarmé, illustré par Henri Matisse. Ce catalogue d'exposition nous montre l'importance pour Henri Matisse de sa rencontre avec Mallarmé ; l'illustration de la poésie permet à Matisse de développer des moyens artistiquesoù il traite les acquisitions du Fauvisme.

Matisse, Henri --- Mallarmé, Stéphane --- Illustration, livre --- Poésie --- Mallarme, Etienne, Dit Stéphane --- 76.07 --- Grafiek ; 20ste eeuw ; Henri Matisse --- Schilderkunst ; tekeningen ; 20ste eeuw ; Matisse --- Matisse, Henri 1869-1954 (°Le Cateau-Cambrésis, Frankrijk) --- Grafische kunst ; grafische kunstenaars A-Z --- Matisse, Henri, --- Mallarmé, Stéphane, --- Matiss, Anri, --- Matisse, --- מאטיס --- מאטיס, אנרי --- מאטיס, הנרי, --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Exhibitions --- 766.07 --- Poëzie van Mallarmé ; met etsen van H. Matisse --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Mallarmé, Etienne, Dit Stéphane --- Mallarmé, Stéphane --- Matisse, Henri. --- Mallarmé, Stéphane.

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"Anatomy of ideas The life's work of an infographics pioneer Fritz Kahn (1888 - 1968) was a German doctor, educator, popular science writer, and information graphics pioneer. Chased out of Germany by the Nazis, who banned and burned his books, Kahn emigrated to Palestine, then France, and finally the United States to continue his life's work. In this revised Bibliotheca Universalis edition, TASCHEN celebrates Kahn as a creative genius, particularly adept at the visualization of complex scientific ideas. In such works as Man as Industrial Palace, we see how Kahn deployed vivid visual metaphors to demystify science and how his concepts have influenced generations of scientific illustrators, visual communications specialists, and infographic artists through to today. The book features more than 350 illustrations with extensive captions, three original texts by Fritz Kahn himself, a foreword by Steven Heller, and an essay about Kahn's life and oeuvre."--

Scientific illustration --- Scientific illustration. --- Scientists --- Scientists. --- Kahn, Fritz, --- Germany. --- Infographie --- Représentation graphique --- Corps humain --- Visual communication --- Information visualization --- 766.07 --- Kahn, Fritz 1888-1968 (°Halle an der Saale, Duitsland) --- Grafische vormgeving ; informatieweergave --- Visuele communicatie --- Infographics --- Wetenschappelijke illustraties --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Illustration, Scientific --- Science illustration --- Scientific literature --- Art and science --- Illustration of books --- Drawing --- Technical illustration --- Professional employees --- Data visualization --- Visualization of information --- Information science --- Visual analytics --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Illustration --- Scientific applications --- Kahn, Fritz, 1888-1968